I appreciate the amount of effort and creativity that went into making this. However, it just wasn't that scary. There was a decent jump-scare at the beginning, but overall it did not have a lot of atmosphere. Maybe this is just me because I'm a huge fan of horror and am therefore used to this sort of thing, but the pacing was inconsistent and nothing really adds up. It was interesting to see a glimpse of Squidward's past, but with the way it is, it adds nothing to the story. What actually happens in this? Does Squidward's art attack him? Is it in his imagination? I understand that most good horror films leave a lot of questions unanswered, but there also needs to be a clear and concise plot or theme in order for that to work. Even the most abstract horror films have an overlaying theme that connects the events to each other. Again, this could just be me, but I don't feel like this has any particular theme; it's just scary simply for the sake of being scary. This can work if and only if there are clearly defined limits of the fictional world you're creating.

I rarely review, and I rarely give zero stars on anything I review, but this was beyond terrible. The animation was smooth, but that's the only nice thing I have to say. The "humor" consisted only of swearing; this is insultingly juvenile and not even remotely amusing. Did you really expect people to laugh because they said fuck, shit, and ass multiple times? For something rated M, it could've had at least SOME over the top slapstick, but again it disappoints.

This was hilarious! The deaths for all of the characters were appropriate and I liked how you incorporated actual children's songs within the piece; the very end was also pretty grim and amusing. I only took off half a star because "Humpty Dumpty" was very predictable; his death is even incorporated in the nursery rhyme itself. Otherwise, this is very well done and you should make a sequel including more nursery rhymes and more extreme deaths.

This game is well made, but it is way too aggravating to possibly complete, especially with the nearly blind and spastic disabilities. Even if you don't have those particular disabilities, some of the levels are frustrating on their own and having those disabilities makes some of the levels impossible. It's one thing to make a game "unfair", but it's quite another to make it nearly impossible, especially with the nearly blind disability where there are split second timed platforms and you can't even see them. Great idea overall, but if you designed the levels differently for each disability to make the game more playable, it could be a good game. As it is, it's just an aggravating and rage inducing mess.

This is a great little game with a very strange and creepy atmosphere; the gameplay is challenging and enjoyable and I really enjoy the story. Were you by any chance inspired by the famous Greek myth of Orpheus and Euridice? Just curious because that's what this game reminds me of.

This game would be more playable if there wasn't one major bug: for no reason whatsoever I get a "Game over" screen when clicking the power button to release the box when I have not lost any lives. Are there a limited number of clicks as well? If there are, that wasn't included in the instructions. I can appreciate the physics of the game and the story well enough, but you need to fix this bug in order to make this playable.

Wow, this is a really interesting take on one of Hania's more well known pieces. You managed to make an interesting combo between the mellow voice of Hania and your electronic beats pretty smoothly. However, sometimes I think the way you've split the vocals makes it sound too resonant in its continuous echoes; when you listen to Hania's original piece, the mellow echoing of her voice is already present in the way she designed the music, and the way you chose to divide the voice digitally sounded a little awkward. Also, I think you should've used more electronic/digital instruments to enhance its techno polyphony; you did a lot with the little that you used, but it needs more because it otherwise sounds two dimensional, and all music must be 3D in its sound. Overall you get an "A" for effort, but some work needs to be done to make this great.

This is a beautifully written piece and your composition style is has a knack for pulling the heart strings. I especially love the incorporations of the non-chord tones within your 7th chords; it adds a lot of unique color to this piece. The melody is simple and sweet, and because of a repeated melody the piano seems to be singing. However, one thing I would suggest would be to either eliminate or substitute the synthetic violins with its live counterparts, or a harp would suffice as well. The synthesized violin does not quite fit into the live grand piano feeling of this piece, and I think you would do this song great justice to perform it live on the piano.